Looking for suggestions on my PA system
gunman12
Posts: 7
Hello. I am new to this forum but am EXTREMELY active as both a moderator and recognized \"answerer of difficult questions\" on several Motorcycle sites. The most annoying thing is when a newbie asks a question and then you never hear back from them. I will follow up-
I have a PA system that I am getting more familiar with by the day but am no expert:
Peavey RSM2062 Mixer
Carvin AC-120S Sequenced power strip
DRPA
Peavey CS800S powering 2 Peavey SP2X (8 Ohm)in stereo. The highs are being fed from the DRPA Xover in stereo. The crossover point is 125hz.
Peavey GPS2600 powering 2 Peavey SP118 Subs (4 OHM) in stereo. The lows are being fed stereo from the DRPA.
I have a second CS800S in the shop. I am thinking that running each bridged to an SP2X will be a good idea. I also have the RTA mic and use it.
What type of info will I need to provide to give a complete picture of my system?
Does anything jump out as being abnormal?
I am unsure of what X-over points, what type and values for those points. Any suggestions?
We run the Bass through the board (not direct) and I want to make sure that the limiters are set correctly to avoid any damage but I don't understand them. Should I use the limiters or roll off the subs higher at the low cutoff?
I thank you guys in advance for any help you might provide.
I have a PA system that I am getting more familiar with by the day but am no expert:
Peavey RSM2062 Mixer
Carvin AC-120S Sequenced power strip
DRPA
Peavey CS800S powering 2 Peavey SP2X (8 Ohm)in stereo. The highs are being fed from the DRPA Xover in stereo. The crossover point is 125hz.
Peavey GPS2600 powering 2 Peavey SP118 Subs (4 OHM) in stereo. The lows are being fed stereo from the DRPA.
I have a second CS800S in the shop. I am thinking that running each bridged to an SP2X will be a good idea. I also have the RTA mic and use it.
What type of info will I need to provide to give a complete picture of my system?
Does anything jump out as being abnormal?
I am unsure of what X-over points, what type and values for those points. Any suggestions?
We run the Bass through the board (not direct) and I want to make sure that the limiters are set correctly to avoid any damage but I don't understand them. Should I use the limiters or roll off the subs higher at the low cutoff?
I thank you guys in advance for any help you might provide.
0
Comments
Did you read the \"Read me first before posting\"? If not do so.. The only thing I see is a fairly high crossover point.. but if that works for you...I would suggest trying around 100 hz...I would recommend a Bw 18 HPF @ 45 hz, a LPF of around 100 hz @ LR 24 the tops from there up @ LR 24 2X3 or 2X4 setup with limiter engaged...see the FAQ.. before you post... for more fun and games...I would sweep the delay till it tightens up.. will probably be around 5-9 ms I would think...After some reading ask more questions if you have them.. I'm sure you will..
Gadget
Based on your suggestion I started playing with the delays and did not notice much of a difference. I am guessing that it has a lot to do with my EQ being off.
I read on the limiters that 4 overeasy is a common setting but I am a little lost on what they actually do in layman's terms and why this setting seems to be so common.
If you were advising me on setup, equipment, and settings, could you think of anything else?
With the OverEasy off (hard knee), the Limiter will kick in at the threashhold point set, say 18db. With OverEasy on, the limiter will kick in before, depending on the # setting you choose (1 being least and 10 (assuming it goes that high) being most, in a ramping \"soft knee\".
For example (and made up responses)...
All threshholds set at 18db.
OverEasy off - limiter hard limits at 18db.
OverEasy @1 - limiter starts to soft limit at 17 db and hard limit at 18 db.
OverEasy @3 - limiter starts to soft limit at 15 db and hard limit at 18 db.
OverEasy @7 - limiter starts to soft limit at 12 db and hard limit at 18 db.
etc, etc.
The OverEasy is designed to make the \"impact\" of the limiting less noticable. The 4 setting is a happpy medium. Start there and play to suit your needs. (but where ever you end up, redo your gain structure).
DRA
CS800 bridged (800w) - SP2 (1000w) Close
CS800 bridged (800w) - SP2 (1000w) Close
GPS2600 (600w) - SP118 (1200w) Very under powered
GPS2600 (600w) - SP118 (1200w) Very under powered
Stereo / mono set-up 2
CS800 bridged (800w) - SP2 (1000w) Close
CS800 bridged (800w) - SP2 (1000w) Close
GPS2600 bidged (2500w) - SP118 (1200w) 2x (2400w) Close
Stereo set-up 3
GPS2600 (600w) - SP2 (1000w) Under powered
GPS2600 (600w) - SP2 (1000w) Under powered
CS800 bridged (800w) - SP118 (1200w) Under powered
CS800 bridged (800w) - SP118 (1200w) Under powered
It looks like #2 is your best balance.
Speakers are 8 ohm separate, 4 ohm in parallel.
Also, if you buy into the \"Damping factor\" theory that the higher the # the more control at low freq's then the GPS is better suited for sub duty.
DRA
CS800 bridged (800w) - SP2 (1000w) Close
GPS2600 (900w) - SP118 (1200w) Under powered
GPS2600 (900w) - SP118 (1200w) Under powered
or
GPS2600 (600w) - SP2 (1000w) Under powered
GPS2600 (600w) - SP2 (1000w) Under powered
CS800 bridged (1100w) - SP118 (1200w) Close
CS800 bridged (1100w) - SP118 (1200w) Close
Now the choice is
1100w / 400 damping
900w / 700 damping
sorry, the Peavey site didn't give me a 4 ohm version.
DRA
Just remember, even though you are under powering your speakers, you are not neccessarily under powered. As long as you don't clip, you'll be fine. So set you gain structure and limiters.
Even a 2 ohms, you are only giving each speaker 600W. It's a vicious cycle. More power yes, but still under powered. :?
Dra
When I say RTA/Auto EQ one stack at a time there are several reasons for this. One is that we are trying to get a baseline on the speakers indoors and with a close proximity on axis RTA you will get more speaker than the room.. we try and then flatten the system and store our flat response so we can use that as a comparison so we can begin to see what the room is doing to the sound. If you set up in the center you will not only have the multiple arrival times of the one stack.. but the other also. The problem is that when two signals arrive at different times.. one direct one reflected, and the delayed one arrives 1/4 of a wavelength after the first it will cancel...move a few inches that problem goes away and a different one takes it's place...by placing the mic on the floor or ceiling you are eliminating one more reflected path. Remember that the Low frequencies inside usually set up standing waves which multiply the bass and the RTA will hammer the bass pretty hard.. so some EQ by ear will be necessary. You will also find that the frequencies above 700 hz will be suspect when the Auto EQ manipulates them for the reasons we spoke of earlier...Oh and the other is 150 hz and below.. or there abouts...
Another reason to Auto EQ separately is often the room is different.. as in not a mirror image on both sides. your EQ may be more accurate when done one side at a time.
What ever the case may be multiple samples is necessary to get a feel for the room and who has that kind of time or latitude? Your better off to have a properly tuned flat response system that isn't going to excite the room any more than necessary, and still sound good and be well balanced.
Isn't everything Peavey does in 4 ohms? seems like it...
Gadget
Sort of got the same setup. However, I am using a pv2600... So should I bridge the 2600 and run it to the 2x sp118?
Right now just running striaght stero.
Thanks
DRA
So really, me getting 550w per side is getting underpowered... So your saying running it bridge would give me 1300w per the 2 speakers which would be better then 550w per side? Kind of get confused on this stuff. However the sp118 I have state that its 1000w program on the back of the speaker jack... So the idea is to have 1.2x - 1.5x the rated program power correct? I have one speaker blownen out. Haven't fixed it since I got the driverack pa...
So run bridge, goto the one speaker, then jump from that speaker and goto next?
You have 1 working sub, right now? Your math is right for power. Regardless, always uses the limiters to protect the speakers.
Speaker jumping is a bit of a trick. Be sure to run the minimum required length for the jumper (make a special) because the first cab will end up using more power than the latter.
DRA
So the adage, \" My car will go 150 MPH\" is valid... BUT do you HAVE to go that fast on the way to the grocery store? NO...
If it's the ones that use the Black Widow (NOT a great SUB driver but capable of enormous power dissipation... but a good low mid...) then the 2600 would be fine... NO CLIP LIGHTS,
BUT... if you want to make a sub out of that speaker...that extra power will make the sub do the best it could...that extra power will allow the speaker to have much more control in it's movement through the air (damping factor added to the xtra power it elicits added control on the cone...especially in 4\" voice coils and up... )
So to me, power is our friend.. and too little power is BAD and when the 2X the rated power (of the amp) is reached... the AVERAGE power is also 2X the norm and POOF... the smoke gets out... and I haven't figured out a way to get it back in
G
Playing mostly dacnce music, the billbaord hot 100. Its the red lights DDT lights that come on... Not sure if that is Clipping or not. The PA shows no signs of clipping, mixer and gain all set correctly. And yes it is the black widow.
If your talking about the Driverack... 8db means little to me except that's the threshold you set...what are the other settings...what are the mixer levels @ when the clip light hits?
G
But all my threshold are set to 9db within the driverack. I have 2 2600 amps, top amps powering 4 200w EV Force Speakers that they don't make anymore and that amp NEVER clips/the DDT red lights NEVER come on.
Its the bottom amp that clips/limits or whatever peavey does. lol
On my xover points, I have 45hz bw18 and xover into100 hz. Trying to remember this off the top of my head. The EV are passive.
G