Help and advice Please!
2buckdrunk
Posts: 3
I am looking at purchasing a DBX Driverack PA for use in my band. The band is a 5 piece Rock band playing relatively small venues (100-400 people). Our current equipment is as follows:
Allen & Heath 16:2 Mixing Board
2 - Carvin DCM2000 Amps
4 - Carvin 1502 Speakers
2 - Peavey 18\" Lowrider Subs in Custom Cabinets
We are using a Lexicon MPX100 for vocal effects and we are running a Roland TD20 electronic drum set.
We have been running a cheap Behringer crossover that just shot craps.
We have been running the top cabinets stereo off one of the DCM 2000s. And the subs stereo off of the other DCM.
We had been running a third DCM and bi-amping the top cabinets, but we are down one DCM amp right now.
How will the Driverack help us and what would be the best way to run this system if we do get the Driverack.
As you can probably tell by my post so far I am a total newb when it comes to live sound. I have always been in bands where there was a sound man and our current situation has us running our own sound. Any direction or help that someone can give is much appreciated.
Thank you,
Ron
Allen & Heath 16:2 Mixing Board
2 - Carvin DCM2000 Amps
4 - Carvin 1502 Speakers
2 - Peavey 18\" Lowrider Subs in Custom Cabinets
We are using a Lexicon MPX100 for vocal effects and we are running a Roland TD20 electronic drum set.
We have been running a cheap Behringer crossover that just shot craps.
We have been running the top cabinets stereo off one of the DCM 2000s. And the subs stereo off of the other DCM.
We had been running a third DCM and bi-amping the top cabinets, but we are down one DCM amp right now.
How will the Driverack help us and what would be the best way to run this system if we do get the Driverack.
As you can probably tell by my post so far I am a total newb when it comes to live sound. I have always been in bands where there was a sound man and our current situation has us running our own sound. Any direction or help that someone can give is much appreciated.
Thank you,
Ron
0
Comments
Sales pitch over.
Go to the \"READ ME FIRST BEFORE POSTING\" section and read ALL the info there and the links that are referenced. Then you can come back with specific questions or comments.
You won't go wrong either way.
DRA
You won't be disappointed if you get the 260, you will however find that the DRPA was only a stepping off point to the 260 as we did. I believe you can find the best price on the Driverack @ NSL (northern sound and light) a couple hundred more than the DRPA but IMMEASURABLY better.
BE well
Gadget
I will definetly do more research on how to properly use the unit, as I am sure that I will need much direction.
I am a little concerned about the unit being very complicated to use for someone with very limited sound production work.
I guess I was under the impression that the RTA mic would set everything for us to a pretty close level and we could go in and tweak it to get the optimum sound, but it sounds like it will be a little more intensive that that.
DR260
To bring into focus the question that you want to ask, and Gadget hinted at is...
The RTA mic using the AUTO-EQ function to \"pink-n-play\" is a recipe for dissaster. It will cripple your ability to have good sound. It will however enable you to tune your system outdoors to make it as flat as possible, especially if you end up bi-amping your top cabs. Then, when you play indoors... hang on.
DRA
PS- 260
If you want to really get your system up and running and get the system sounding up to it's potential you need to get some sort of digital system processor.. for the money the Driverack has more bang for the buck...
Gadget