New PA+ user
theriffmeister
Posts: 9
Hi all, I have just ordered the PA+ and RTA mic for our rehearsal room. Should arrive sometime midweek so I just wanted to run past you the idea I think I have in my head!
Desk: Yamaha O3d > Dbx Driverack+>
Cabs 4 x RCF Espace 600s . (I have taken the passive x-overs out of the cabs and hard wired new 3 way seperates)
1 x Behringer EPX3000 for bass (2ohms 1500w per side)
1 X Behringer EP1500 for mids (4ohms 450w per side)
1 x Crown XLS202 for horns(4ohms 200w per side)
The individual drivers in the cabs are bass:4 x 8ohm RCF L15 542K (per side) mids: 2 8ohm L10 750yk (per side) horns: 2x 8 ohm N481k(per side)
I'm thinking 2x6 set up with a x-over at around 180hz and 2khz?
The rehearsal room size is 27ft long and 17ft wide
Any thoughts/ideas of set up would be welcomed as I don't have the PA+ to play with yet and would like a rough idea before I start! Cheers, Mikey.
Desk: Yamaha O3d > Dbx Driverack+>
Cabs 4 x RCF Espace 600s . (I have taken the passive x-overs out of the cabs and hard wired new 3 way seperates)
1 x Behringer EPX3000 for bass (2ohms 1500w per side)
1 X Behringer EP1500 for mids (4ohms 450w per side)
1 x Crown XLS202 for horns(4ohms 200w per side)
The individual drivers in the cabs are bass:4 x 8ohm RCF L15 542K (per side) mids: 2 8ohm L10 750yk (per side) horns: 2x 8 ohm N481k(per side)
I'm thinking 2x6 set up with a x-over at around 180hz and 2khz?
The rehearsal room size is 27ft long and 17ft wide
Any thoughts/ideas of set up would be welcomed as I don't have the PA+ to play with yet and would like a rough idea before I start! Cheers, Mikey.
0
Comments
Looks like as good a starting point as any... does RCF provide any info on those speakers? what is the 3dB down point of the cab (for HPF purposes to protect the woofers)
The thing is, it's very easy to set up and test multiple scenarios to find what works best...be prepared to try reverse phase for the tweeter to see which sounds best (if you have trouble eqing the hf try it.. sometimes the crossover topology causes delays enough in the crossover that the hf ends up enough out of phase to warrant the reverse)
I won't lie to you getting a three way setup with a single cab ... without extensive experience and more sophisticated measurement equipment and skills.. isn't going top be easy...but the tools are there and with a little patience and some more reading (so you know what your up against) you should be able to end up with a good sounding box...
make sure to read the "start here" and see the FAQ section for a plethora of info on the driverack.
Gadget
http://www.audio-workshop.co.uk/RCF_Archive_E.html
Notice the original xo points are 600 and 3000
Dennis
I'd also set a minimum 40hz BW 18 HPF
G
Dennis
L 15/542 - K: Freq response 45 - 2500, Sensitivity (dB 1w/1m) 98, Fs(hz) 45
L 10/750 - YK: Freq response 70 - 5000, Sensistivity 101, Fs 70
N 481 - K +H2009 horn: Freq response 500-20000, Sensistivity 104, minimum cut of freq 1000
What's your thoughts on x-over points now HPF-LPF etc...
cheers
G
oops...
Ya what he said...
Dennis
Now that said, we can impliment better, more aggressive crossover types, and slopes to smooth the transitions in the crossover region and then use the tools available in the driverack to further align and smooth the response...
so the crossovers then would be
40hz BW18 HPF and 300 hz LR24 for the transition from the 15" speakers to the 8"
300hz LR24 to 3000hz LR24 for the 8"
and 3000 hz LR24 to out for the horn.
G
The one problem I seem to have(or two if you look at it that way) is the custom amp sensitivity, with me having to use a custom setting for bass and mid amp(not in the list) I can't seem to move the DRPA+ setting off 50% for these? The mid amp is set to flat out and the bass amp is around 80%, am I missing something?
Must admit the rig sounds killer with some ozrics!
First off I don't get what you mean by you can't move the DRPA+ settings off 50%... But if you look at the power available
thats 450 watts for the 10"
[quote1 x Behringer EPX3000 for bass (2ohms 1500w per side)][/quote]
That's 750 watts X2 (AND a 3db free gain for proximity) so think 1800 watts on the LF and 450 on the single 10".. and your wondering why the mid is "underwhelming" ...one single 10" (against 2 15" in close proximity?)and you just lowered the HPF for that midrange to rob even MORE power from the mid.. well I don't wonder why myself...
:roll:
G
Gadget
Must admit the DRPA+ was very straight forward to set up, quick and very good results from the unit. 2X6way was the only thing to blag me at first, shouldn't it read 2X3way!?
2x2 = stereo (2) in and stereo (2) full range out.
2x3 = stereo (2) in and stereo (2) full range out PLUS mono (1) sub. 2+1=3
2x4 = stereo (2) in and stereo (2) hi's & stereo (2) lo's out. 2+2=4
2x5 = stereo (2) in and stereo (2) hi's & stereo (2) mid's out PLUS mono (1) sub. 2+2+1=5
DRA
G
ya.. what he said..
DRA
no prizes for the first to spot the rta mic!!
That's some practice space... sure you have enough rig for the room...
Here's my practice space...
complete with the remains of a new years eve party...
All we use are 2 GASP1202's
and a single 125 liter DIY sub...
http://www.fane-acoustics.com/resources.aspx
With the 2, T1202's aimed right at us with absolutely no feedback issues (and were LOUD)...
Thanks for sharing.
G
Here's a few more pics because I don't have a fish eye lense for the camera!
Anybody any questions on the placement of the rta mic?
That's an older photo, pre DRPA+ which made an impressive difference in the sound and ease of setup.
Cool lighting effects!
G