Mono vs. Stereo with DRPA and JBL Subs
robberns
Posts: 15
First time poster here....
Getting ready to launch my new PA (for small/medium sized clubs, bands mostly).
Have a pair of JBL PRX 415M's for the mains and PRX 418S (pair) for subs.
Powering them with QSC GX5 (mains) and GX7 (subs). Feeding from an Allen & Heath GL2400.
First question would be, any advantages to running the system in mono vs. stereo?
I run everything in the center anyway.
Second question would be crossover points and settings for the PRX418S subs. They say "80Hz" is recommended in the literature.
I've fiddled with the DRPA using the 2-Way Stereo preset. Just not sure where to go from there.
Thanks for any advice....
Getting ready to launch my new PA (for small/medium sized clubs, bands mostly).
Have a pair of JBL PRX 415M's for the mains and PRX 418S (pair) for subs.
Powering them with QSC GX5 (mains) and GX7 (subs). Feeding from an Allen & Heath GL2400.
First question would be, any advantages to running the system in mono vs. stereo?
I run everything in the center anyway.
Second question would be crossover points and settings for the PRX418S subs. They say "80Hz" is recommended in the literature.
I've fiddled with the DRPA using the 2-Way Stereo preset. Just not sure where to go from there.
Thanks for any advice....
0
Comments
If everything is pan to center it doesn't matter. If the audience is between the stack then some "stage" steering could be used (guitar left panned to mostly stack left, for example). The other benefit is stereo delays. Keys also benefit from stereo. Even toms can be steered for neat effects.
That cleared things up for you didn't it?
DRA
Not sold on the idea of stereo though.
The only PRX418S I've set up in the real world thus far I found to be very impressive, especially for the price point. I'm hoping that JBL will produce a 2 X 18 version utilizing the same Selenium driver.
I spoke to a nice fellow at JBL who gave me some starting numbers for crossover points/slopes.
Loaded them into the DRPA and am giving them a listen.
So if you think I should run the subs in mono, would it make sense to run the amp I'm feeding them from in bridged mono or keep it in stereo?
What are these startling numbers?
So I guess just a mono feed from the DRPA and into each channel of the GX7. Not sure if there is any advantage to that or just running stereo panned in the middle?
I don't have the settings from the JBL guy with me, but I seem to remember 30Hz - 75Hz on the subs and 80Hz on the tops (PRX415M).
Subs (PRX418S):
Output Lo Shape BUT 18
Output Lo Frequency 30Hz
Output Hi Shape LR 24
Output Hi Frequency 75Hz
Tops (PRX415M):
Output Lo Shape LR 24
Output Lo Frequency 85Hz
Output Hi Frequency Out
DRA
DRA
Subs (PRX418S):
Output Lo Shape BUT 18
Output Lo Frequency 45Hz
Output Hi Shape LR 24
Output Hi Frequency 100Hz
Tops (PRX415M):
Output Lo Shape LR 24
Output Lo Frequency 100Hz
Output Hi Frequency Out
then move the x-over point down 5 hz at a time after listening sessions to see where it operates best with respect to your amps. It appears that you're massively underpowered on your subs. I powered one of them with a bridged XTI4002 (2400w @ 8 ohms), you're not even in the same zip code as that.
So the JBL spec says:
800 W / 1600 W / 3200 W
(Continuous/Program/Peak)
What would I need from a power amp (I'd like to run one amp if possible to save having to lug more gear around).
Thanks
http://www.crestaudio.com/news/article. ... iew/id/561
The really good news is it only weighs 13 lbs :shock:
And the REALLY good thing is it's CHEAP
http://www.daleproaudio.com/p-10897-cre ... MgodUHEACw
Bridged Mono > 3000 watts
So would you run one amp per sub in bridged-mono mode at 8-ohms?
1,770W bridged at 8 ohms @ 1%
These also SOUND amazing and I think have a 5 year warranty! :shock:
I could run the subs in mono (via the DRPA), and run one of those Crest amps in bridged mono to both subs.
Since the subs are 8-ohms, would I be giving the amp a 4-ohm load if the subs are in parallel?
Otherwise there are some cheap 4000 watt and 6000 watt amps but nothing in that price or weight ratio.
800 watts = RMS, 24 / 7 full power would not damage the speakers but pretty lack luster performance...
1600 watts = Program running, 1/5 and even 1/3 power you should be fine if there is NO clipping (typical rock runs 1/5th power average if your not pushing it
3200 watts = Peak, only momentary peaks only, mostly headroom to help prevent power compression and power supply fatigue, and voice coil overheating... you would need to be careful here...
If I run the JBL subs off each side of the QSC GX7, they'd be getting 700W each (based on them being 8-ohms).
If I run them off one side, connected in parallel to give the amp a 4-ohm load, the amp will give the subs 1200W.
But would they really only be getting 1200/2 = 600W each, since they are running in parallel?
Not sure if I'd gain anything from this configuration. Kind of a bummer that you can't run the GX7 bridged.
If considering a larger amp to get more output, you are almost always better off adding subs to the amp to get a 4 ohm load. 4 subs @ 600w each gives more output than 2 subs would on a bridged amp (regardless of power).
So was I correct in assuming that the 2 subs run in parallel would be halving the power?
I'm thinking of getting 2 of the Crest Pro Lite 3.0 amps and running each sub off one amp bridged (1770 watts)
FYI. The difference in output from 700w to 1700w I only 3-4db. Adding a 2nd sub (600w + 600w) on the same amp yields 3db and setting the subs together yields another (up to) 3db.
Weigh your options. Cost of adding a amps vs cabs, factoring transport and setup of more gear, and don't forget... a sub running with 600w will last a tremendous time longer (as long as you stay out of clipping).
DRA